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MARIAN
SAVA

THE SCULPTOR OF VIBRATIONS

ABOUT MARIAN SAVA

THE JOURNEY FROM IMAGINATION TO SCULPTURAL INNOVATION

Marian Sava’s journey into the world of sculpture began with a deep-rooted passion for art, sparked in childhood through the medium of drawing. This early experience laid the foundation for his creative journey, which evolved from simple sketches to intricate sculptures that capture the essence of form and material. Sava’s transition to sculpture was not merely a shift in medium but an exploration of new possibilities, as he became an “imagination worker” who skillfully transformed wood, clay, plaster, and resins into three-dimensional expressions. His approach to these early materials was marked by a tactile understanding and a respect for their unique properties, which allowed him to develop a sensitivity to texture and form that would later define his work.

As his artistic vision matured, Sava gravitated toward more challenging materials, such as marble and granite. It was in Belgium that he discovered Belgian black marble, a material that would become central to his artistic identity. Known as “devil’s marble” due to the difficulty of achieving a polished finish, this unique stone fascinated Sava with its transformation from dark gray to a deep, mirror-like black through a meticulous polishing process. The richness and depth of this polished surface captivated Sava, providing a medium through which he could explore contrasts between light and shadow, presence and absence. This fascination with black marble led him to develop a signature style that emphasizes surface rhythms, creating a dialogue between the material and the invisible forces that shape our world.

In his current work, Sava focuses on creating “vibrations in 3D,” a technique that embodies his fascination with the unseen energies that permeate the universe. Through carefully crafted striations and patterns on the surface of his sculptures, he aims to capture the invisible waves that, as suggested by quantum physics, underpin all matter. These rhythmic patterns represent his interpretation of the vibrations that resonate throughout the cosmos, making the intangible visible. Sava’s work is a testament to his dedication to exploring the boundaries of perception, offering viewers a glimpse into a world where the physical form becomes a conduit for the metaphysical.

WORKS

THE VIBRANT ARTISTRY OF MARIAN SAVA

Marian Sava’s sculptures stand as unique statements of artistic exploration, blending technical mastery with philosophical depth. His works in black Belgian marble, white marble, granite, and wood are more than just physical forms; they serve as conduits for Sava’s reflections on life, energy, and the invisible forces that shape reality. Each piece begins with a spark of inspiration, often evolving through a series of meditative reflections and revisions until it achieves the form that resonates with Sava’s vision. His sculptures are known for their powerful themes, which range from abstract representations of cosmic vibrations to contemplations on human emotions and social issues. Through his hands, each material he chooses gains new life and meaning, transformed by a process that blends spontaneity with precision.

The artist’s technique of engraving patterns and striations on the surface of Belgian black marble creates an intriguing visual effect, wherein the light reflected from the polished surface adds movement and depth. This effect, combined with the material’s natural reflective qualities, allows each sculpture to appear alive, resonating with a rhythmic energy that engages viewers on both a visual and emotional level. Sava’s unique approach invites viewers into a dialogue with the piece, encouraging them to perceive the subtle interplay of light and shadow, full and empty, and the delicate balance between strength and fragility. His works transform spaces, imbuing them with a sense of presence that transcends the ordinary, evoking contemplation and introspection.

Sava’s commitment to capturing the essence of vibration extends beyond the visual appeal of his sculptures. By manifesting these vibrations in three-dimensional form, he aims to immortalize the invisible forces that exist around and within us. His works are not just static objects; they are experiences, inviting viewers to engage with them on multiple sensory levels. Through this innovative approach, Sava bridges the gap between the seen and the unseen, the tangible and the intangible, creating a lasting impression that challenges and inspires. Each sculpture becomes a timeless witness to the energy of existence, reflecting both the artist’s skill and his profound engagement with the mysteries of the universe.

ARTIST STATEMENT

CAPTURING INVISIBLE FORCES THROUGH SCULPTURE

From an early age, I felt an irresistible pull towards creation, and over time, sculpture became my chosen path to express the invisible forces I perceive around us. Working with materials like black Belgian marble, I discovered a way to communicate the intangible—the vibrations and energy that, though unseen, shape our world. My approach to sculpture is both physical and philosophical, a balance of precise technique and intuitive exploration. When I carve or engrave a surface, I’m not simply shaping stone; I’m attempting to make visible the energies that pulse beneath its surface. This process has become my way of connecting with the universe, of capturing its rhythms and resonances within a solid, enduring form.

The idea of “vibrations in 3D” is central to my work. I create patterns and striations that invite viewers to perceive the piece as more than a static object. These lines, carefully crafted across the surface, are my interpretation of the waves and energies that quantum physics suggests are the foundation of all matter. I want these sculptures to feel alive, as though they are breathing in rhythm with the space around them. To me, each sculpture is not only a physical creation but also a dialogue—a way of sharing my perception of reality and the unseen forces that bind us to it. When people engage with my work, I hope they can feel these vibrations, sense these energies, and experience the piece as a bridge between the known and the unknown.

My ultimate goal is to make these energies tangible, to transform them into something that can be touched, seen, and felt. By working with materials that resist, like black marble, I engage in a dance with the medium, each strike and cut an expression of my connection to the material. Through this process, I strive to create sculptures that are not only beautiful but also profound—pieces that resonate with the viewer on a deeper, almost spiritual level. Each sculpture I create is, in essence, an indestructible witness to the emotions, energies, and universal truths I seek to capture, offering a glimpse into the mysteries that surround us all.

RESUME

EDUCATION, AWARDS, EXHIBITIONS AND SYMPOSIUMS

Education:

  • Royal Academy of Fine Arts, Brussels, Belgium

Awards and Prizes:

  • 2023: Art Award Artist of the Year, Word of Art, London, UK
  • 2018: Excellence Award in “Galla 100 for Centenary”
  • 2010: Diploma of Excellence, Artoteque, London
  • 2004: Academic Knight, Academy International Greece Marino, Italy
  • 1999: First Prize, Cannes Salon, France
  • 1998: President’s Prize, Salon de Printemps, Lyon, France
  • 1998: Grand Prize, Salon d’Orgon, France

Selected Personal Exhibitions:

  • 2023: Cercle Royal Gaulois Artistique et Littéraire, Brussels, Belgium
  • 2018: The Museum of Visual Art of Galați, Romania
  • 2018: The Museum of Art of Constanța, Romania
  • 2015: Tower 42, London, Great Britain
  • 2014: Maaltebrugge Castle, Ghent, Belgium
  • 2009: Romanian Cultural Institute, London, UK
  • 2004-2016: Galerie CMS DeBacker, Brussels, Belgium

Selected Group Exhibitions:

  • 2024: Art Expo New York, USA
  • 2023: Art Fair Spectrum – Red Dot, Miami, USA
  • 2023: Art Fair Tower, Tokyo, Japan
  • 2022: Sculpture Biennial, Lasne, Belgium
  • 2016: Jewish Museum of Belgium, Brussels, Belgium
  • 2010: Schonbrunn Palace, Vienna, Austria
  • 2006: Société National de Beaux-Arts, Musée du Louvre, Paris, France

Symposiums:

  • 2008: Sculpture Symposium, Drama, Greece
  • 2006: Sculpture Symposium, Morteau, France
  • 2005: Sculpture Symposium, Mersin, Turkey
  • 2002: Sculpture Symposium, Istanbul, Turkey

Acquisitions:

  • Waldorf Astoria, Beverly Hills, California, USA
  • Drouot Paris, Hotel de Ventes de Lausanne, Switzerland
  • County Museum of Jette, Brussels, Belgium

Private Collections:

  • Germany, Belgium, France, Greece, Holland, Romania, Switzerland, Turkey, USA

Donations:

  • Queen Fabiola Hospital, Brussels, Belgium
  • The Visual Art Museum of Galați, Romania

CONTACT DETAILS

GET IN TOUCH

Address: Chaussée de Waterloo nr 311, 1060 Brussels, Belgium
Website: www.mariansava.be
Instagram: instagram.com/mariancsava
Facebook: facebook.com/marian.sava.37
WhatsApp: +32 494424967